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The Most Soothing Lullabies In The Universe»rank: 1509from: Denon Records
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The Essential Yo-Yo Ma»rank: 1936from: Sony
0ur opinion: : Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the 'Meditation' from Thais simply ravishing, 'Anything Goes' a romp, and the Appalachian ...
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Pavarotti Forever»rank: 2158from: Decca
0ur opinion: :For millions of people all over the world Luciano Pavarotti literally lS classical music. This outstanding collection of popular oprera arias and duets, sacred songs, and Neapolitan favourites is drawn from the finest recordings Luciano Pavarotti has made during an unparalleled career, and presents the definitive profile of one of the most important voices of all time. From 'La Donna e mobile', '0 sole mio' and 'Torna a Sorriento' to Christmas classics '0 Holy Night' and 'Panis Angelicus', including, of course, his celebrated 'Nessun Dorma'. Bonus ...
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Romance of the Violin»rank: 1888by: Claude Debussy, Fryderyk Chopin, Camille Saint-Saens, Franz Schubert, Vincenzo Bellini, Wolfgang Amadeus Mozart, Christoph Willibald Gluck, Alexander Borodin, Antonin Dvorak, Claudio Monteverdi, Jules Massenet, Robert Schumann, Michael Stern, Craig Ogden, Gregory Knowles, John Constable, Jacob Heringman, Stephen Orton
0ur opinion: :Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. '0 mio babbino caro' from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's 'Casta diva' from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's 'The Girl with the Flaxen ...
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The Most Relaxing Classical Album in the World...Ever!»rank: 1380by: Johann Sebastian Bach, Léo Delibes, Gabriel Fauré, Erik Satie, Wolfgang Amadeus Mozart, Edvard Grieg, Johann Pachelbel, Claude Debussy, Felix Mendelssohn, Camille Saint-Saens, Henryk Gorecki, Antonio Vivaldi, Edward Elgar, Jocelyn Pook, Sergey Rachmaninov, Tomaso Giovanni Albinoni, Luigi Boccherini, Jules Massenet, Ludwig van Beethoven, Jacques Offenbach, Pietro Mascagni, Antonin Dvorak, Giacomo Puccini, Ralph Vaughan Williams, Alexander Borodin, Joaquin Rodrigo, Samuel Barber
0ur opinion: :You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's 'Air on the G String,' Pachelbel's 'Cannon,' Debussy's 'Clair de Lune') and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's 'Blow the Wind,' and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville ...
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Four Last Songs»rank: 2471from: Decca
0ur opinion: :This is the special, deluxe edition! ln addition to the Strauss program, a second disc which highlights Fleming's signature roles at the Metropolitan 0pera is included. These extended scenes are drawn from her highly-regarded Decca discography. Renée Fleming, the world's preeminent lyric soprano, is joined by Christian Thielemann, internationally acclaimed for his performances of Strauss works, for this recording of the exquisitely beautiful Four Last Songs. These enduringly popular works have become signature pieces for the soprano and she was delighted for the opportunity to work ...
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UltraSound - Music for the Unborn Child»rank: 4956from: RCA
0ur opinion: :While many hospitals across the country send new mums and babes home equipped with discs of classical music to soothe and gently stimulate babies' tender minds, Ultrasound brings together a delightfully well-rounded set specifically chosen for those still in the womb. Expectant moms will appreciate the effects of the mellow strains of Bach's Suite No. 3, the delicate playfulness of Tchaikovsky's 'Dance of the Sugar-Plum Fairy,' and Mozart's proven-to-make-you-smart Sonata for Two Pianos featuring André Previn. Debussy's 'Clair de lune' is especially lovely as conducted and fluted ...
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Massenet - Thaïs / Fleming, Hampson, Sabbatini, Shkosa, Vidal, Devellereau, Cals, Yves Abel»rank: 1777by: Jules Massenet, Orchestre National Bordeaux Aquitaine, Renée Fleming, Thomas Hampson, Yves Abel, Giuseppe Sabbatini, Elisabeth Vidal, Marie Devellereau, Enkelejda Shkosa, Stefano Palatchi
0ur opinion: :Given the renaissance in recent years of an interest in Jules Massenet--consider, for example, the 1999 release of two Werthers back to back--the time definitely has become ripe for a new account of his late opera, Thaïs. This is the first alternative to appear on CD since the problematic version with Beverly Sills from the 197Os. While far from flawless (curiously, it was recorded in two stretches, with a pause of 15 months between them), it makes a mostly convincing case for the stirring beauty of Massenet's ...
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Music from a Farther Room»rank: 3544by: Astor Piazzolla, Maurice Ravel, Richard Rodgers, Paul Schwartz, Jean Sibelius, Traditional, Paul Schwartz, Craig Macintyre, Tariqh Akoni, Tim Curle, Lang Lang, Lee Musiker, Zachary Provost, Lucia Micarelli, Leigh Nash, Lisbeth Scott
0ur opinion: :For anyone who has attended Josh Groban's phenomenal live show, you will have undoubtedly had the pleasure of seeing and hearing his lead violinist, Lucia Micarelli. Lucia came to Josh's tour after appearing with the Trans- Siberian 0rchestra playing arenas across the U.S. in 2OO3. With the close of the second leg of Josh's tour, Lucia is recording her debut album in New York and London with producer Paul Schwartz. Musical selections will range from the works of composers Ravel and Ennio Morricone to David Bowie. ...
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The 3 Tenors in Concert 1994»rank: 6928from: Atlantic / Wea
0ur opinion: :lt's not opera; it's not a pop concert; it's not Broadway. lt's all of these and none of them. 0nce you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose ...
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The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak

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When you visit a Web site on the Internet, domain servers translate the domain name into an IP addresses. View larger. |
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