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Mass

Mass

»rank: 5866

from: Sony


0ur opinion: :While critics at the 1971 premiere found the work derivative and even tasteless, audiences loved this ardent, resourceful, somewhat brazen, ultimately moving Theatre Piece for Singers, Players, and Dancers. Leonard Bernstein's affinity for his public and for the age in which he lived enabled him to successfully outfit his Mass with a stylish mix of contemporary and ancient modes--rock, jazz, electronic music, Gregorian chant--and place it in a context somewhere between Broadway and opera. Though it lacks the visual component of a live performance, the work holds ...



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Pride and Prejudice: The Original Soundtrack from the A&E Special Presentation

Pride and Prejudice: The Original Soundtrack from the A&E Special Presentation

»rank: 4649

by: Carl Davis, Melvyn Tan, Nicholas Bucknall, Jonathan Barritt, Timothy Brown, Levine Andrade, Nicolas Busch, Joseph Frohlich, Martin Gatt, Rusen Gunes, Michael Harris, Keith Harvey, David Juritz, Peter Lale, Pauline Lowbury


0ur opinion: :While critics at the 1971 premiere found the work derivative and even tasteless, audiences loved this ardent, resourceful, somewhat brazen, ultimately moving Theatre Piece for Singers, Players, and Dancers. Leonard Bernstein's affinity for his public and for the age in which he lived enabled him to successfully outfit his Mass with a stylish mix of contemporary and ancient modes--rock, jazz, electronic music, Gregorian chant--and place it in a context somewhere between Broadway and opera. Though it lacks the visual component of a live performance, the work holds ...



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Lemony Snicket's A Series of Unfortunate Events

Lemony Snicket's A Series of Unfortunate Events

»rank: 21928

from: Sony


0ur opinion: :The characters of Daniel Handler's popular children's book series spring to life in this playfully macabre screen adaptation from director Brad Silberling. Contemporary scoring master Thomas Newman may launch the musical proceedings with the brief, Disney-esque flourish of 'The Bad Beginning,' but the sound of a needle being brusquely dragged across that record brings us to the composer's true intent: a teasing romp through occasionally dark, rhythmically charged musical corners. Employing his patent take on post-modern impressionism to a greater degree than he did in Finding Nemo, ...



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Koyaanisqatsi (1998 Re-recording)

Koyaanisqatsi (1998 Re-recording)

»rank: 21163

from: Nonesuch


0ur opinion: essential recording:Fifteen years after its initial release, Philip Glass's score to Godfrey Reggio's film Koyaanisqatsi is still as timeless as it was meant to be. Glass's epic score, virtually the only sound in this non-narrative movie, accompanied an exhilarating, wordless meditation of images ranging from expansive, slow-motion landscapes to whirling-dervish city scenes shot using time-lapse techniques. Glass's music was a perfect match. The opening chant is still unlike anything Glass has composed, a Tibetan monk operatic growl that set up the foreboding sense of loss the ...



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Assassins (2004 Broadway Revival Cast)

Assassins (2004 Broadway Revival Cast)

»rank: 13906

by: Stephen Sondheim, Neil Patrick Harris, Marc Kudisch, Michael Cerveris, Denis O'Hare, James Barbour


0ur opinion: :'Everybody's got a right/To their dream.' So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey 0swald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and 'Squeaky' Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but ...



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Christmas Through the Ages

Christmas Through the Ages

»rank: 28561

from: Hyperion UK


0ur opinion: :'Everybody's got a right/To their dream.' So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey 0swald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and 'Squeaky' Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but ...



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Dear Frankie

Dear Frankie

»rank: 20900

from: Silva America


0ur opinion: :The tale of a mother who poses as her son's estranged father in letters, yet eventually has to enlist a stranger to play the role, director Shona Auerbach's intimate indie became a film festival perennial. Given the movie's tearjerker tendencies, its musical score becomes an even more crucial component of its deft, if relatively non-manipulative dramaturgy. Young composer Alex Heffes more than rises to the occasion, providing a delicate score fueled by spare, elegant piano and emotionally-longing string arrangements. Heffes work here mines the same intimately scaled, ...



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Christmas Carols

Christmas Carols

»rank: 154406

from: Virgin Classics


0ur opinion: :The tale of a mother who poses as her son's estranged father in letters, yet eventually has to enlist a stranger to play the role, director Shona Auerbach's intimate indie became a film festival perennial. Given the movie's tearjerker tendencies, its musical score becomes an even more crucial component of its deft, if relatively non-manipulative dramaturgy. Young composer Alex Heffes more than rises to the occasion, providing a delicate score fueled by spare, elegant piano and emotionally-longing string arrangements. Heffes work here mines the same intimately scaled, ...



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Camelot

Camelot

»rank: 48578

from: Jay Records


0ur opinion: :The tale of a mother who poses as her son's estranged father in letters, yet eventually has to enlist a stranger to play the role, director Shona Auerbach's intimate indie became a film festival perennial. Given the movie's tearjerker tendencies, its musical score becomes an even more crucial component of its deft, if relatively non-manipulative dramaturgy. Young composer Alex Heffes more than rises to the occasion, providing a delicate score fueled by spare, elegant piano and emotionally-longing string arrangements. Heffes work here mines the same intimately scaled, ...



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Pincus and the Pig: A Klezmer Tale

Pincus and the Pig: A Klezmer Tale

»rank: 106379

from: Tzadik


0ur opinion: :John Zorn's Tzadik label is known for putting out, among other things, a variety of radical Jewish music projects, but there is nothing radical about Pincus And The Pig. Here the Shirim Klezmer 0rchestra teams up with noted illustrator and children's book author Maurice Sendak (Where The Wild Things Are) for a decidedly Yiddish retelling of Sergei Prokofiev's Peter And The Wolf. The band (which also did Klezmer Nutcracker) plays a fun style of traditional klezmer with original instrumentation, but it's Sendak who really ups the ante ...



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$1NR New SEVENTIES MUSIC 3 CD ORIGINAL ARTIST CD NRonly $ 0.99Bid Now!5d 19h 46m left!

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by John Steinbeck
$10.88

Average customer rating: 4.5 ISBN: 0142000663
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak


by W. Stephen Damron
$117.33

Average customer rating: ISBN: 0131189328

by Bill Mollison, Reny Mia Slay

Average customer rating: 5.0 ISBN: 0908228015
$49.99



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Tale Klezmer A Pig: the and Pincus
Shopping at music.greatestgiftstore.com  Created at Fri Dec 5 02:02:41 2008